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Asking the simple but fundamental questions about the need for human contact, this eight-part a cappella concert work features a sustained texture of cluster harmonies with melody lines that call out "Can
One of a series, all premiered and recorded by the vocal ensemble VOCES8, this a cappella work is challenging, with independent parts, and a rich and diverse harmonic vocabulary.
Commissioned by Ex Cathedra for its Summer Music by Candlelight series of concerts. With German and English text, this work features free tonalities and very independent vocal parts.
The poetry of Phyllis Wheatley is featured in this piece commissioned by VOCES8. Featuring a baritone soloist throughout with support from the divisi a cappella ensemble, the piece builds to the choir
This vocal arrangement of the classic Schubert song arranged for VOCES8 tells the terrifying tale of a young boy and his father being chased by the Erl King. Each voice has a chance to inhabit the
Commissioned by VOCES8 in 2020, this reflective piece is setting of a text from poet Jacqueline Goldfinger. Creating a period of calm during winter storms where we reflect on what we have lost but rise up
A setting of the famous Russian poem by Mikhail Lermontov, reflecting on the poignancy and beauty of nature. This six-minute work is in two parts, first using the original Russian text before being
Propelled forward by repeated motives on the text I Shall Arise, this exciting concert work sets a poem from Dora Sigerson Shorter. Affirming and brimming with confidence, it builds to a thrilling
Composed for VOCES8, this hymnlike piece features lyrics by Daniel Simpson that encourage connection and interaction. The gentle walking pace uplifts the lyrics into purpose and movement.
What better way for choirs to celebrate Beethoven's 250th birthday than with this entertaining medley of some of his greatest hits? Excerpts from Fur Elise; the Moonlight
This arrangement, written for VOCES8, presents a dreamlike choral fantasia based on the first movement of Beethoven's famous Moonlight piano sonata. Particularly suitable for choirs of mixed
This tranquil selection uses a touching translation of an anonymous Japanese text in which the health and well-being of a mother's child is sought. With the sensibility of a lullaby, this piece commissioned
Scored for SATB Choir, a cappella. 3'30"
A beautiful and flowing work for SATB choir, SATB solo quartet and piano, with textures that celebrate love, cherishing our place among the stars. A New World is a musical story across five
A lullaby for choir and children’s choir (or sopranos) setting an ancient nursery rhyme that explores the idea of the journey through life. A New World is a musical story across five
A New World is a musical story across five movements with texts by authors from Cicero and Ovid to George William Russel; from nursery rhymes to war poets. The music and texts link to form a
A standalone work for SATB choir and SATB solo quartet, painting a picture of the different characters of a dream. This movement is both comforting and confusing, and is inspired by the Palestinian poet
Todd Boss's poem We Tend to Sleep Better When the Clock Is Wound provides the text for this dreamy work that gently unfurls as a clock ticks through the night. Accompanied only by a solo horn in F,
An Introit scored for SSATBB a cappella with verse 2 from Psalm 5. Written as a raffle prize for and first performed by Westminster Abbey Choir. Approx 2 mins.
Sublime and otherworldly, this arrangement of the iconic song by Radiohead holds true to the original. Flowing and mysterious, tranquil yet pensive, this concert piece from VOCES8 is both simple and complex
Written for, performed, and recorded by vocal ensemble VOCES8, this beautiful a cappella work has flowing and independent vocal lines as well as mixed meters that accentuate the Lord Byron text.